No Answers. Just Questions.
This post has no argument. No answers. Just questions. What I want to do with this post is lay out a number of questions that have plagued me in recent weeks and months that I haven’t gotten around to answering to my own satisfaction. Before we begin, for those of you interested in further exploring traditional publishing versus self publishing, check out Rachelle Gardner’s blog posts exploring reasons why authors may choose one or the other. And now, on to the questions without answers, yet.
How do writers and artists decide what form to express their ideas? Is there something identifiable or is it individual to the creator?
Can there be a shonen hero (or major character) who is glbtq? Is it possible to explore gay and lesbian themes without the manga being bl or yuri?
Are there any good shonen and seinen global manga (or OELs)?Is it possible to have a serialized format before the gn/ tankoban collections?
Is the internet a force of social good or social ill? Are good manners in decline?
Keeping with that, why is there an apparent resurgence in racist and sexist screeds in sf/f? How do we overcome the hate?
Does sf/f really need its own Skip Bayless?
How consciously “modern” or “contemporary” should a fantasy be? How consciously in tune with the historical inspiration?
Is the Martin school of epic fantasy troubled by issues of race and sexism as many recent criticisms assert? If so, why?
Can a major debate on the role of women, race, gender, ect. in sf/ f be had without degenerating into trolling flame wars?
Where is the criticism of sf/ f at at this moment? How “laid back” or “academic” is it?
Does there need to be a more consciously “academic” approach with better research and reliance on critical theory?
What about manga and comic books?
Is there manga criticism available in America that is not fan driven?
What is it about Hollywood that they have to butcher Greek mythology?
Why is returning the Amazons to their mythical roots such a controversial thing?
Is it time for the traditional notion of the super hero to be done away with? Especially when a “no kill” rule does not make sense?
In reference to DCUO, how difficult would it be for user generated content (like missions)?
What is the relationship between anime viewership and manga sells in the U.S.? Is the reason why One Piece is not as popular in American compared to Japan because of their initial anime dubbing on Cartoon Network? Or is there something else at work?
Well, that’s it for my questions without answers today. Some of these I may tackle at some point. And some I may never come back to. Time and what I want to blog about will tell.
Posted on April 12, 2012, in Anime, Books, Manga, Movies, Video games and tagged critical theory, DCUO, George R.R. Martin, manga, One Piece, Questions, SF/ F criticism. Bookmark the permalink. Leave a comment.