Monthly Archives: September 2016
The Devourers , Indra Das’s debut novel, is an intoxicating and troublesome tale of an Indian history professor being enmeshed in a cycle of outcast “werewolves” interacting with humans throughout the centuries. It is not what I expected. But I don’t think I’m disappointed. I like The Devourers, but I’m not in love with it, either.
Das’s take on werewolves, or shapeshifters, or rakshasas, or the myriad other terms for them is interesting and unique. But it is also very familiar territory for the readers of urban fantasy.
The Devourers is a beautifully written novel. The language is flowing and enticing. The reader, like Alok (the history professor who acts as the frame narrator), is enmeshed into the story of Fenrir and Cyrah before they even know it.
The limited cast is amazingly well done and realized. Especially Alok and the mysterious “half werewolf.” The bitter loneliness, the act of romantic mystery that hides, perhaps an even deeper loneliness is excellent. Cyrah, the lone woman of consequence in the novel (which is a problem), is a masterful creation. Her story, her character is absolutely compelling.
But she is also too modern. For a woman of the Mughal Empire, she reads as if she is a modern Indian woman. The same problem, honestly, also flaws Fenrir and Gevaudan. The two read as modern or postmodern human men, not centuries old non humans.
The plot is engrossing and flows nicely. The Mughal Empire narrative is gorgeous and surprising. This is not paranormal romance. Rather, The Devourers is best described as literary dark fantasy. The Kolkata narrative is a romance in the way these type or narratives are (Alok is a closeted gay or bisexual man and rakshasa culture tends to bisexuality). It is beautiful and bittersweet. And transformative.
That is, I think, the key to The Devourers: Transformation. Alok is transformed by the Stranger. The Stranger is transformed by Alok. Fenrir is transformed by Cyrah. Cyrah is transformed by her experiences hunting Fenrir. A shapeshifter is defined by their transformative nature, the human form and the other form.
The Devourers is not a perfect novel. But it is a rich and evocative one. I found it enjoyable. But not without its flaws.
Tara Abernathy is a probationary associate at Kelethras, Albrecht, and Ao. Her first job? Aid her mentor, Elayne Kevarian, in resurrecting a dead god. Not an easy feat. Not when there are forces seeking to impede the process. Such is a blurb for Three Parts Dead by Max Gladstone. This first book in The Craft Sequence is a very good, if slightly uneven, read.
The biggest selling point for Three Parts Dead is the world building. Think China Mieville unburdened by politics. The world is weird and fun. There are gods, there is lots of magic (here called Craft), there are gargoyles, fantasy cyborgs, etc. Alt Coulumb, the city where the action is mainly set, is an amazing creation that lures the reader into to an experience.
A setting can only do so much, though. Characters, too, must sell the work. The characters are well done.Tara Abernathy is a wonderful protagonist. Elayne Kevarian is even more compelling. Abelard, a supporting protagonist, is serviceable.
However, I came away feeling that the characters could have been more original. I felt that I had read these characters before. Several times.
The plot is really good. I especially love the villain’s scheme. It is a thing of beauty (if evil plots can be described as beautiful). The unraveling of the villain’s scheme, too, is a thing of beauty. The action, both magical and mundane, are very well done.
My biggest problem with Three Parts Dead, however, is how obvious the main antagonist is. The moment he first appears on the page, the reader knows he is the bad guy. You don’t know how, but you know. I wish it weren’t so obvious.
A secondary problem I have is that I am not fond of the epilogue at all.
All the negatives aside, though, I really enjoyed Three Parts Dead. I checked it out from the library, and I want to own it. And I want to check out the other books in the series.