Monthly Archives: April 2017

The Scholar’s Temptation

I want to write scholarly essays again. I was an English Lit. major in college. For the longest time, I planned on getting a doctorate and becoming an English professor in my own right with a, hopefully, impressive body of scholarly work to my name. Due to youthful incompetence and a lack of ambition, I never achieved getting my dreamed for doctorate. (It also doesn’t help that I am, honestly, a horrible teacher).

The dashing of my ambition does not mean that I’ve abandoned completely my scholarly bent. I just haven’t acted upon it.

I want to change that.

Since the beginning of the year, I’ve wanted to do something new with the blog. I’m not happy with my blogging output. I want to change that.

I want to increase my output. And I want to diversify my writings for the blog. I want to write more reaction pieces. I want to write far more reviews. I want to write more about what I’m reading. I want to write about my writing. I want to write more essays. Etc.

Adding scholarly work sounds like a good idea.

But can I do it?

I haven’t written an academic paper in over ten years. I will be incredibly rusty. But I do think it is necessary. So I shall write. And write some more.

Hopefully, by the end of April, I will have a plan as to the exact changes I want to bring to the blog.

Wish me luck.

The Books I Read in March 2017

My reading continued to be a disappointment in March, but I am enjoying more of the books I’m reading. So, not everything is doom and gloom.

I already reviewed Every Heart a Doorway and The Collapsing Empire, so I will just mention them here.

On to the rest of the books.

I started the month reading Miranda and Caliban by Jacqueline Carey. It is a retelling of The Tempest. I read the first chapter or two and set it aside. I am not a fan of Carey’s style.

I also didn’t care for Chris Colfer’s Stranger Than Fanfiction. Colfer isn’t a terrible writer, but he needs to rein in his camp and metafictional fanboy impulses. I genuinely hope he improves.

Wanting to read some classic science fiction, I tried Sherri S. Tepper’s Grass. The descriptions are lovely. The story is boring.

I finally read Kirstin Valdez Quade’s Night at the Fiesta. I enjoyed the collection very much. I especially liked “Nemecia” and “Mojave Rats.” I will keep my eye on Valdez Quade’s future work.

My success with Night at the Fiesta inspired me to seek out a number of short story collections (with much less success). Among these books are: Difficult Women by Roxane Gay, The Refugees by Viet Thanh Nguyen, The Tenth of December by George Saunders, Foreign Soil by Maxine Beneba Clarke, The World to Come by Jim Sheppard, and Homesick for Another World by Ottessa Moshfegh.

Keeping with George Saunders, I attempted Lincoln in the Bardo. Oh my, that book is weirdly structured.

After my success with Leviathan Wakes, I moved on to Abaddon’s Gate after Caliban’s War. I grow less impressed with The Expanse as the series progresses. A lot of my issues lie with the world building. But I also feel James S.A. Corey fall into the George R.R. Martin trap, too many point of view characters disrupt the narrative.

I’ve been wanting to read Brain Staveley’s The Emperor’s Blades for years (ever since I listened to a podcast interview with Staveley). I finally got around to it. I feel a world building rant coming on. And I wanted to like this book. Damn it.

I had the most success this month, honestly, with several history books I read for research. These books are: Life and Society in the Hittite World by Trevor Bryce, Byzantium Greatness and Decline by Charles Diehl (translated by Naomi Walford), and Lords of the Horizon by Jason Goodwin. All of these are good. The best book is by far Life and Society in the Hittite WorldByzantium Greatness and Decline is outdated (but hey, it is what my local library has). And Lords of the Horizon is a good popular introduction to the Ottoman Empire.

I also had some success with the comics I read this month. Among those are: Scarlet Witch Volume 2 World of Witchcraft by James Robinson, The Mighty Thor Volume 1 Thunder in Her Veins by Jason Aaron, Batman Volume 1 I am Gotham by Tom King, Detective Comics Volume 1 Rise of the Batmen by James Tynion IV, and Wonder Woman Volume 1 The Lies by Greg Rucka. I really liked Scralet Witch. I enjoyed The Mighty Thor though I am tired of the Roxxon Malekith plot, disliked the handling of Loki, and have issues with Aaron’s world building. I am not a fan of either Batman comic I read. I would much prefer James Tynion IV writing a dedicated Tim Drake book. And the first volume of Wonder Woman Rebirth surprised me. But I am not a fan Rucka’s rewritting of Wonder Woman’s history so soon after the last rewritting of her history. I just really liked the handling of Cheetah. I feel a comic book rant coming on.

That is all I read in March.

On to April!

 

Review: The Collapsing Empire

The Flow, the sole means of traveling faster than light, is shifting away from the human occupied worlds of the Interdependency. Can the heroes wrangle competing factions to save humanity? The Collapsing Empire by John Scalzi has the beginning of the answer. (What do you expect from the first book in a series?) A fast paced space opera, The Collapsing Empire is a fun read with some serious issues (mainly I have major nitpicks regarding the world building).

The Collapsing Empire is fast paced. Amazingly so. The reader zips through the story wanting more.

The plot is fun. Reading how the protagonists work their ways into position to start the process of saving humanity against entrenched political corruption, sociopathic ambition, and endemic structural weakness is, honestly, a joy.

The main protagonist is Cardenia Wu, or, as she is formally styled, Emperox Grayland II. The bastard daughter of the previous emperox, she finds herself thrust into saving humanity from a position of power she never wanted.

Supporting her are Kiva Lagos, from the wealthy Lagos Guild, and Marce Claremont, a flow physicist on the run who has key information on the Flow’s shift. A foul mouthed force of nature, Kiva comes close to stealing the book. All three major characters are fascinating, but standard space opera character types.

(The villains, again, are standard character types. And very obvious.)

The biggest problem with The Collapsing Empire is thinking too hard about the world building. And the scientific process.

The Collapsing Empire takes place, at the least, in the 3500s. The Flow has been the fundamental bedrock of human civilization for over a thousand years. The Flow has shifted at least twice, stranding two worlds (one of them Earth) from the rest of humanity. In all that time, and with the home world of humanity lost, the Flow is still little understood? Really? Come on. The Flow should be far more understood than it is within the context of the novel.

An added complication to the study, or lack thereof, of the Flow is the obvious problem with the scientific method and peer review presented in the novel. Peer review is mentioned twice in key moments. One character is criticized for not peer reviewing her findings. The chastising character even references the fact that he, himself, needed peer review to prevent himself from making the same mistakes. But, he is satisfied with his work being peer reviewed by only one other person and treats it as sufficient. Should not peer review be more extensive (and therefore alleviating some of the political problems that arise in the novel)? Then again, that would kill the plot.

(To be fair to Scalzi, a lot of space opera, and science fiction in general, have serious problems when it comes to actual science.)

Humans, again, are vastly more advanced in 3500 than they are in 2017. Even in the harshest environments, humanity should be either able to terraform their new home worlds or adapt themselves to their new environments. The fall of the Interdependency should not result in humanity eventually dying out except for those on End, the only world humanity occupies that is in any way similar to Earth.

These world building problems are necessary for the plot to work, however. The immediacy of the collapse of the Interdependency is lessened if the coming shift in the Flow is widely known about. And, again, the economic structure of the Interdependency makes it impossible for humans to survive on their own even if humans should be able to adapt to their new environments.

Clearly, the world building bugs me to no end. I wish it did not. But it does. And consequently, my enjoyment of the novel is lessened by asking these world building questions. The Collapsing Empire is a fun read. But can it escape the collapse of its world building? For me, it cannot.