Since my last post, November has sucked. (Okay, November has sucked since my trip to the Waco Friends of the Library Book Sale). I’ve moved. My brother is in the process of moving (which is a production of some considerable frustration that I’m not going to go into).
The only bright spot has been my completion of three Agatha Christie novels: Death on the Nile, The Mirror Crack’d from Side to Side, and Evil Under the Sun. Those three novels have reinvigorated my reading after some disappointing reads. I’m hoping my December to be read list will be as productive.
So, what is my December TBR?
First, I want to try and reread The Magicians by Les Grossman. I know I should binge the entire trilogy, but I honestly have a love hate relationship with the first book. I like the magical world Grossman creates. I like the Ellis/ Tartt inspired style. I can’t stand Quentin Coldwater. I really can’t stand Quentin.
Following The Magicians, I want to tackle, again, The Grace of Kings before reading The Wall of Storms (both by Ken Liu). I was planning on tackling the two after I bought The Wall of Storms, but circumstances force me to check it out of the library.
After the current installments of The Dandelion Dynasty series, I intend to tackle Otherland by Tad Williams (again). Hopefully, I’ll have better success this time.
I also have a history of the Medici, The Space Opera Renaissance, and a book on oil pastel to read.
Hopefully, I’ll be able to make a sizable dent before January. I have an Atwood/ Gordimer binge planned.
How many children’s and YA fantasy novels involve the journey to another world? Off the top of my head, I can think of the Alice books, The Wizard of Oz series, Narnia, The Neverending Story, The Last of the Really Great Whangadoodles, The Magicians, and now The Land of Stories. Hell, I would even add the Harry Potter series in for good measure (the Wizarding World might as well be a secondary world). What is this fascination with a journey to fairy world (for lack of a better term)?
I think the reason why the “fairy world” or connected secondary world is so popular (especially for younger readers) is because the reader is grounded in our consensus reality before the journey begins. The reader knows the world and its expectations before they are thrust into the world of adventure (the secondary world).
Taking the discussion into a more symbolic mode for a bit, the secondary world comes to represent the world of escape, the world of dreams (and nightmares). It is an escape from the mundane reality of the everyday.
It also calls (obviously) to mind Joseph Campbell’s “Hero’s Journey.” Now, often times these journey novels conclude with the fulfillment of the full quest progression: the return to the known world. That is not to say that all do end with a homecoming. Dorothy Gale and her family eventually settle in Oz, Harry Potter remains in the Wizarding World, etc.
Over the years, I’ve toyed with the idea of writing a crossover or journey to another world novel (or series). They ranged from a typical fairy world (though more inspired by medieval romance than fairy tales) to a jaunt through a sword and sorcery type world. There have also been ideas involving constructed worlds and whole cities moving from one world to another.
Why am I interested in movement between worlds? I think for a very different reason than most. For me, I’m fascinated by the inherent conflict present in shifting and movement.
Take my idea for a sword and sorcery crossover. How would people from our world and time react to being in a world devoid of the comforts we take for granted? How would they react to radically different cultures and social mores? How would they react to the chance to go home or to stay? What would give them a reason to stay?
Of the ideas I’ve had, the one that is currently at the top of my mind is the city idea. Although instead of sending a city from Earth elsewhere, I want to bring a city from a secondary world here. How would the two communities interact? How would the language barrier be over come? Crap, does that mean I have to construct a language?
Though dealing with a language barrier does provide some interesting story potential. . .
Anyway, that’s all I have for today. Tomorrow I may switch out the comic book post for a post in which I struggle to create a secondary world- that resembles our contemporary moment. Is it possible?