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Atwood and Gordimer

In January, I bemoaned the fact that I did not get into Margaret Atwood’s Cat’s Eye and Nadine Gordimer’s Burger’s Daughter. My failure bugged me in the following months. In April, I couldn’t take it any more and rechecked the two books from the library. I finally read them. And came away with the same opinions I had in January, which sucks. But, to be fair, no book is going to appeal to everyone. Atwood and Gordimer are great authors. One deserves her Nobel. And the other should have gotten a Nobel already.

I struggle with Margaret Atwood, to be honest. I first read Atwood’s The Robber Bride in my senior year of high school and reread the novel again about two or three years later. I enjoyed The Robber Bride greatly. Maybe it is the acceptance, at the end, of a minor character’s coming out. Maybe it is the fact that the three protagonists are amazing women struggling with an amazing antagonist. Maybe I was just in a phase of my life that favored literary novels over science fiction and fantasy. I don’t quite know. But, I haven’t reread The Robber Bride in over ten years.

Subsequently, I’ve read or attempted to read other works by Margaret Atwood. I read her 1991 collection Wilderness Tips and found it rather uneven. And I attempted to read The Blind Assassin while still in college. I did not like it and dropped it. Later I tried reading Cat’s Eye several times over the course of a few years. And recently, I have wanted to read The Handmaid’s Tale and Alias Grace (for my historical novel reading challenge). As anyone who read my January reading post knows, I hated The Handmaid’s Tale.

On to my thoughts now that I finally finished Cat’s Eye. The novel is, for me, a dull affair that really doesn’t achieve what it sets out to do. It does have similar themes to The Robber Bride, but I don’t think Atwood quite captures the emotional power. I just really never connected to Elaine’s midlife identity crisis/ reformation or her obsession with Cordelia and her role in Elaine’s later character formation.

At least I’ve finally read Cat’s Eye. Sucks that I never got into it.

I am less familiar with Nadine Gordimer’s work, but I first read her novel The House Gun in my senior year of high school. And really enjoyed it. I just never really continued to read her work even as I bought her short story collection Jump. In January, I wanted to correct that oversight.

Burger’s Daughter is an experiment. Gordimer is transitioning from traditional dialogue to a more difficult and complicated, for author and read, technique for conveying conversation. In this regard, Burger’s Daughter is rather successful, but it does not work completely.

The key is characterization and maintaining each character’s individuality.

My problem with Burger’s Daughter is just that, Burger’s Daughter. Rosa Burger is defined by her father. And by her father’s struggle. She never quite comes into her own as a character. She is always defined in relation to her father. Even in the end, one must wonder how much her decisions are based on what she wants or what has been instilled in her to want.

The problem is that Rosa Burger is rather flat. Her characterization is, honestly, timid. Rosa Burger never quite emerges as a compelling character.

I am disappointed that I didn’t like Burger’s Daughter. But I am glad I read it. It is inspirational, though perhaps not in ways Gordimer intends.

Will I continue to seek out Margaret Atwood and Nadine Gordimer’s work? Yes. I might not like some of their books, but I am willing to bet that there are several of their books I will enjoy.