Monthly Archives: October 2016
Tyrants: A History of Power, Injustice, and Terror A Review for the Fantasy Writer
I first heard mention of Tyrants: A History of Power, Injustice, and Terror by Waller R. Newell in a post on Black Gate. I was intrigued and sought it out. But, as Tyrants is a new book, I had to wait quite some time to request it through interlibrary loan. Recently, I received a copy and have since read it. The book is a thought provoking read. I found my assumptions challenged quite persuasively in some passages. But I cannot help but feel the book does not adequately cover its subject. While I might not recommend Tyrants to a scholarly audience, I do think, with caveats, this book is useful for fantasy writers.
Tyrants is divided into three parts. While the introduction presents three types of tyranny, the book itself takes the chronological approach of ancient, early modern, and modern. The result is that garden variety tyrants are an afterthought(or addendum) to reform and millenarian tyrants.
Part One is, perhaps, the weakest part of the text. Newell focus on Classical writers interpreting, engaging, and condemning tyrants of garden variety, reform variety, and mixed variety hues. The problem, however, is that he does not engage with the origin of tyranny. For that, one must delve deep into the great Bronze Age world monarchies/ great states (Egypt, Hittite, Assyria, Babylon, and Mittanni) as well as the Persian Empire.
It must also be noted that I caught a number of factual errors in Part One. The war between the Olympians and the Titans is called the Titanomachia not the Gigantomachia (which deals with the Olympians fighting the Giants, not Titans). Athens is located on the Attic Peninsula not the nearby Peloponnesian Peninsula. Harmodius and Aristogeiton change places within a few paragraphs. And Cleopatra did not order the death of Pompey, her brother did (otherwise I doubt Caesar would have supported her let alone begun an affair with her).
Part Two explores tyranny in relation to state formation in late medieval and early modern Europe. There is a heavy component of period political theory by which the various monarchs are judged. This is, honestly, a very interesting part of the book.
Part Three is where Newell shines and is at his most persuasive. His examinations of the millenarian tyrannies of the Jacobins, Bolsheviks, and Nazis are very good and very terrifying. His tying of the the extreme Left with the extreme Right is convincing. His exploration of the rejection of the Enlightenment and the creeping radicalization of intellectual circles is thought provoking.
Newell does, however, lose some of his persuasiveness as he delves into Third World Socialism because, in part, he does not engage with useful concrete examples. The discussion is mostly relegated to the theoretical with a few practical examples.
After Third World Socialism, Newell turns to the merging of Third World Socialism and Nazism: Jihadism. Newell’s analysis is good, but I wish he had delved deeper. These final explorations seems rushed.
Despite my problems with Tyrants, I do think that the book is very useful for fantasy writers. It will provide, I believe, a firmer grounding and foundation in political and literary theory when it comes to world building. It must also be said that a writer does not have to agree with his sources or inspirations. I have (obviously) numerous arguments with this book. But that does not stop me from having being inspired or using what I learned to better help me with my writing.
Bond Films, Ranked
I’m a huge fan of the James Bond films. I think I’ve ranked the films before the release of Spectre. So, I think it is time to write a new list.
Before I begin, however, I think I should explain my preferences when it comes to Bond films. My favorite Bond films tend to hew closer to Fleming. I like Bond a little darker and “realistic.” I am not as fond of the Bond films that approach science fiction levels of gadgets and plots. So, it should not come as a surprise what two films come in at the bottom of my list.
Without further ado, from worse to best, here are the films.
24. Moonraker, This is my least favorite Bond film. It takes the science fiction elements to the extreme. Add to that it has Jaws, who I have no interest in. Just a really bad film.
23. Die Another Day, This movie is bad. The villain is ridiculous. Just bad.
22. The Spy Who Loved Me, Stromberg is a non entity as a villain. The plot is dull.
21. The Living Daylights, Yes, this film is one of the darker Dalton films. But the only good part about this film is Nekros in a speedo.
20.The Man with the Golden Gun, Easily the worst Bond Girl to date. Why is J.W. Pepper in this movie? And the final confrontation of Bond and Scaramanga should have been so much more tense and dramatic.
19.Live and Let Die, I like this movie. But I think it is too silly in parts. And, again, J.W. Pepper is in this movie, too.
18. The World is Not Enough, Second worse Bond Girl, who should not have existed. I feel that Elektra King should have been more menacing. I really want a strong woman Bond villain.
17. Quantum of Solace, The worst of the Craig films. I like Quantum. I like Greene’s plan. But there is something off about this film.
16. From a View to a Kill, Third worst Bond Girl which is mitigated by Grace Jones’s May Day and Christopher Walken’s fun turn as Max Zorin.
15. Tomorrow Never Dies, I like this film. Wai Lin is one of my favorite Bond Girls. But I would have liked her not to be captured so often in the final act.
14. Goldeneye, The best of the Brosnan films. I really like this film.
13. Diamonds are Forever, The worst Connery film. I am torn about this. I do like the campiness of this film, especially Charles Gray’s performance as Blofeld. But Diamonds are Forever is one of my favorite Bond novels and I do want a proper adaptation of the novel like Casino Royale.
12. For Your Eyes Only, Probably the best Moore film, though not my favorite Moore Bond film. I adore Carole Bouquet’s performance as Melina Havelock, Topol is a trip as Columbo, and Julian Glover is charismatic as the villainous Kristatos.
11.You Only Live Twice, I like this film despite the heavy science fictional elements. I like this film largely because Bond doesn’t save the day himself. He works with a team.
10. Octopussy, I love this movie. Objectively, it is a middle ranked Bond. But it has always resonated with me. I think it has a lot to do with the glamour of the film. Octopussy is my favorite Bond Girl, and Kamal Khan is a great villain. Plus Mishka and Grishka.
9. Dr. No, I really like the first Bond film. I enjoy the back and forth between Bond and Dr. No.
8. Casino Royale, I really like this movie. I like how the film updates Fleming’s novel for modern viewers. However, I’m not fond of the extended poker game sequence.
7. License to Kill, I like this movie. It is dark and menacing.
6. On Her Majesty’s Secret Service, This is a gorgeous movie. And tragic. But I wish Blofeld was played by someone other than Telly Savalas.
5. Thunderball, I love this movie. Largo is amazing. Fiona Volpe is awesome. That is all.
4. Skyfall, I love this movie. It is so freaking well shot. And tragic. And it gives the supporting cast so much more to do than the average Bond film.
3. Spectre, I love this movie. It takes Skyfall and builds on it. The supporting characters are as important to foiling Blofeld as Bond is. What holds it back from being higher on the list is that I am not fond of Blofeld’s relationship with Bond. Nor am I happy with every other Craig era villain being connected to Blofeld and Spectre.
2. Goldfinger, This is a great movie. I can watch it and rewatch every day. Goldfinger is an amazing villain.Honor Blackman is great as Ms. Galore. Connery is mesmerizing as Bond.
1. From Russia, with Love, The best Bond movie, bar none. A great plot. A great set of villains. Bond is amazing. It has Lotte Lenya.
I’m going to end this post now. What are your thoughts on Bond films? How would you rank them?
Golden’s Book Exchange Haul
Golden’s Book Exchange is my favorite used bookstore in Waco, Texas. Every even numbered month, Golden’s has a half off sale for the first Thursday, Friday, and Saturday of the month.
Here is my haul.
The Grey Mane of Morning by Joy Chant. I really need to break down and read her work
The Iron King by Maurice Druon. I’ve heard great things about Druon. Time to check it out.
Tinker Tailor Soldier Spy by John le Carre. I’ve wanted this book for years. Finally!
Half a King by Joe Abercrombie. I really need to give him a new look.
Chronicles of the Black Company by Glen Cook. The first three Black Company books in omnibus form. I freaking love omnibuses.
City of Ashes by Cassandra Clare. I need to try some YA.
And Then There Were None by Agatha Christie. I’ve forgotten how much I love the Queen of Crime. I was hopping for some Poirot or Miss Marple omnibuses, but And Then There Were None is a good second choice. (I’m still kicking myself in the ass for getting rid of my Christie books years ago.
The Aeneid by Virgil. I got rid of this book years ago and have scolded myself for it ever since.
Finally, Charlotte’s Web by E.B. White. I love this book. But it is not for me. It is for my niece.
A pretty good haul for a great price. Now I’ve got ten short story collections from the library I need to read for Try a Short Story. Expect a post on that soon.And expect another book haul November 5. The Friends of the Library Book Sale approaches. So exciting.
Stormdancer: Review
Stormdancer by Jay Kristoff starts with the hunt for an arashitora and ends with an assassination. The novel is a mashup of Japanese myth, steampunk, and Dune. The originality of Stormdancer is marred by a well trod plot. I cannot say I liked this book.
I like the world building. Shima is a well realized world that incorporates its influences very well.
My problem, though, is that it is so obviously a Japan with the name filed off.
The characters are okay if a little typical. Yukiko is a well realized character, but her story arc is one told so many times in the genre that she becomes one of the crowd of similar protagonists.
The plot is well trod. I feel like I have read this story several times already.
I really wanted to like Stormdancer. I really did. But I cannot deny that the book failed to resonate with me. Or even entertain me. Which is frustrating. I hate not liking a book.
The Superhero Blues (Reprise)
Carrying on from yesterday’s post, one option for all of the characters for Earth set fantasies is to move them all to my Superhero Project. It has been almost two years since I last wrote about “The Superhero Blues,” but my problems remain. As much as I want to write superheroes (especially superhero inspired epic fantasy), I still have several hangups that prevent me from moving forward. No matter how much I wish it weren’t so. Maybe I can work through these roadblocks.
The first issue I have is the plethora of superhero stories in publication or circulation. Superheroes are everywhere. Even in novels (which was not quite the case when I wrote “The Superhero Blues”). If I had written earlier, maybe I would have a leg up.
The second issue I have is one of originality. I want to write a superhero epic fantasy, not a metafictional comedy or a literary slumming trip. The problem lies in that every possible superhero story has been told. At least ten times over.
The third issue lies in how I want to tell the story. I want to mimic in novel form the breadth of comic book story telling. Yes, the easy approach involves a novel equating to a story arc. But that is not what I want. I want a set number of chapters spread over four or five books that tell a continuing story. That means that numerous story arcs exist in each novel and carry over between novels. I am not sure publishers would really go for such a mosaic novel.
But, should I really let my hangups prevent me from writing the story I want to tell? Shouldn’t I write what makes me happy? Is there, actually, an audience for this? Allow me to try and refute my previous three arguments against writing the Superhero Project.
Is there really a plethora of superhero stories in circulation? Yes to comics. Yes to film. Yes to television (the CW might as well be called the DC Network). But not so much when it comes to novels. There is currently, to my reckoning, no more than ten books (not counting Wildcards) dealing with superheroes. And certainly none that approach superheroes in the way that I want to.
Finding (or creating) a new take on a seemingly exhausted subject is an interesting challenge. (And, to be honest, it is highly tempting to push the envelope further than most comics seem interested in going). It is a challenge and temptation I am happy to tackle.
Am I selling publishers short? Yes, the mosaic novel (or multi arc novel) is out of fashion. But maybe it just needs the right push to get back in the game.
I should not let my fears hamper my creative impulse. I will write my Superhero Project. Will I be successful? I don’t know. But I won’t know if I don’t do it.
Style vs. Freedom: Earth and Secondary Worlds
I have a conundrum. I have a project. The specifics are immaterial to this post. The prospective setting, however, is. I am undecided between setting the project on present day Earth or a secondary world. The issue is one of style versus freedom.
The biggest selling point for setting my project on Earth is the style of major cities. I love the diversity of architectures. The dynamism of modern city life has always called to me. Even contemporary fashion has its appeal.
And let me not forget the pull of the small town. I may loath having grown up in a small town, but I cannot deny the appeal it has.
As much as the style of Earth attracts my desire to use it as a narrative canvas, I must admit that I am interested in occultism and the unexplained. For those who remember the Magic Project, my fascination with the occult and unexplained does cultivate an inclination to use real occultism and the unexplained as inspiration for my writing.
But my fascination with the occult and unexplained also weakens my freedom of imagination. I am, perhaps, too entwined with the fascination to be able to do anything but write a fantastic realist novel. And that is not what the project under discussion is (though the term does define the Magic Project very well).
Two other issues also impact my freedom of imagination: the required hidden nature of the occult and the presence of too much science and technology. A demimonde or occluded fantastic world existing alongside our experienced world isn’t what I want. I want something more known. I also really don’t want to have to explain away why modern technology doesn’t break the illusion.
Making up a world allows me to do what I want. I can have the level of technology I want without having to deal with the bits of technology I don’t want to deal with (yes, I recognize figuring out ways to magically beat modern technology may be fun). I also provide myself with a freedom to go as crazy as I want to.
The style issue remains. But I can make up my own style and draw inspiration wherever the hell I want.
So, I’ve convinced myself that a secondary world is the best option. Now I just need to figure out what to do with the characters I’ve already created.